Warner Bros’ latest venture, the $90 million period vampire film “Sinners,” has opened amidst a swirl of excitement, raking in $4.7 million during its Thursday night previews. This figure, though respectable, pales in comparison to genre giants like “Nope” and “Us,” which outstripped “Sinners” in their respective preview nights. Despite the critical acclaim, with a
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Regal Cinemas has made a strategic decision to appoint Brooks LeBoeuf as their new head of content in the U.S., and this choice can’t come soon enough. Following a tumultuous period in the film industry where audience preferences have evolved dramatically due to streaming services and pandemic disruptions, LeBoeuf’s nearly 25 years of experience positions
As we approach the tail end of Holy Week, Warner Bros is making a calculated and costly bet on its latest release, “Sinners.” With a production budget exceeding $90 million, the stakes couldn’t be higher. The box office forecast hints at an opening weekend of over $40 million—substantial, yet not without its risks. Comparisons are
The recent conclusion of a 58-day strike by workers at two Alamo Drafthouse cinemas in New York City serves as a powerful reminder of the significance of collective action in the face of corporate indifference. As reported by the NYC Alamo United union, affiliated with the United Auto Workers (UAW), this determination ultimately led to
In a time where mainstream executives often underestimate the potential impact of faith-driven narratives, a trio of independent films recently exploded onto the box office scene, showcasing a market that is not only eager for such stories but also capable of significant revenue. Angel Studios’ *The King of Kings* recently opened to a staggering $19
As the curtains lift on the highly anticipated feature musical “Kiss of the Spider Woman,” starring the indomitable Jennifer Lopez alongside Diego Luna and Tonatiuh, we stand on the threshold of what could be a watershed moment for the integration of musical theater into mainstream cinema. Set to be released on October 10, this film
As we approach the summer blockbuster season, the anticipation surrounding major film releases is palpable. Disney and Marvel Studios’ *Thunderbolts* is set to launch, flanked by high expectations and a projected $70 million opening weekend. However, if this target flops, all eyes will shift towards the live-action adaptation of *Lilo & Stitch* and the anticipated
Sunrise Films has embarked on an audacious venture with the upcoming release of *Sew Torn*, directed by Freddy Macdonald, which is set for theatrical debut on May 9. Heralded as a captivating thriller that premiered impressively at SXSW last year, the film sets itself apart by weaving an intricate tapestry of choices and consequences that
Lionsgate’s “Shadow Force,” set to debut on May 9, targets an intriguing spot in the cinematic calendar: Mother’s Day weekend. While commonly associated with sentimental films reflecting themes of love and family, the film breaks the mold by merging the action genre with the emotional core of parental love. Directed by Joe Carnahan and co-written
Director Robert Schwartzman’s “Hung Up on a Dream: The Zombies Documentary” is not just a retelling of The Zombies’ tale; it’s an emotional homage that transcends simple music documentary conventions. Scheduled for special screenings on May 12 in cities such as Washington D.C., Boston, and Austin, followed by a more extensive release in Los Angeles