The recent discourse surrounding tariffs and their implications on international trade poses a unique stress test for many corporations, but Imax CEO Rich Gelfond remains unfazed. His assertion that “the fundamentals of our business have never been stronger” reflects a commendable level of confidence that few leaders are able to muster in such tumultuous times.
Entertainment
Ethan Coen’s forthcoming dark comedy, Honey Don’t!, emerges as a promising addition to the cinematic landscape, combining absurdity with a storyline that transcends the surface. Centering around Honey O’Donahue, a small-town private investigator, the film wields the potential for both humor and depth—a delightful concoction that elevates it beyond typical comedy fare. The premise revolves
Warner Bros. stands as a testament to resilience in the fast-paced world of cinema, recently achieving remarkable success with “Sinners,” which grossed an impressive $48 million during its opening weekend. This figure came as a surprise to many industry watchers who initially anticipated a mid $30 million debut. This unexpected turn of events speaks volumes
In a cinematic landscape saturated with high-octane action and morally ambiguous superheroes, it’s refreshing—and perhaps surprising—to witness faith-based films carving out notable box office success, particularly around Easter weekend. With Angel Studios’ animated feature, *The King of Kings*, making a strong impression in its second week, the shift towards spirituality in cinema could signal a
Warner Bros’ latest venture, the $90 million period vampire film “Sinners,” has opened amidst a swirl of excitement, raking in $4.7 million during its Thursday night previews. This figure, though respectable, pales in comparison to genre giants like “Nope” and “Us,” which outstripped “Sinners” in their respective preview nights. Despite the critical acclaim, with a
Regal Cinemas has made a strategic decision to appoint Brooks LeBoeuf as their new head of content in the U.S., and this choice can’t come soon enough. Following a tumultuous period in the film industry where audience preferences have evolved dramatically due to streaming services and pandemic disruptions, LeBoeuf’s nearly 25 years of experience positions
As we approach the tail end of Holy Week, Warner Bros is making a calculated and costly bet on its latest release, “Sinners.” With a production budget exceeding $90 million, the stakes couldn’t be higher. The box office forecast hints at an opening weekend of over $40 million—substantial, yet not without its risks. Comparisons are
The recent conclusion of a 58-day strike by workers at two Alamo Drafthouse cinemas in New York City serves as a powerful reminder of the significance of collective action in the face of corporate indifference. As reported by the NYC Alamo United union, affiliated with the United Auto Workers (UAW), this determination ultimately led to
In a time where mainstream executives often underestimate the potential impact of faith-driven narratives, a trio of independent films recently exploded onto the box office scene, showcasing a market that is not only eager for such stories but also capable of significant revenue. Angel Studios’ *The King of Kings* recently opened to a staggering $19
As the curtains lift on the highly anticipated feature musical “Kiss of the Spider Woman,” starring the indomitable Jennifer Lopez alongside Diego Luna and Tonatiuh, we stand on the threshold of what could be a watershed moment for the integration of musical theater into mainstream cinema. Set to be released on October 10, this film